- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Introduction: Heidegger and the Phenomenology of Film
Film-Philosophy 28 (1):1-10 (2024)
Abstract
This article has no associated abstract. (fix it)Author's Profile
Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate.Shawn Loht - 2016 - Film and Philosophy 19:34-53.
Robert Sinnerbrink, Cinematic Ethics: Exploring Ethical Experience through Film. Reviewed by.Shawn Loht - 2017 - Philosophy in Review 37 (5/6):218-220.
Robert Sinnerbrink (2016) Cinematic Ethics: Exploring Ethical Experience Through Film.Dan Shaw - 2017 - Film-Philosophy 21 (2):245-248.
Robert Sinnerbrink (2019) Terrence Malick: Filmmaker and Philosopher.George Crosthwait - 2021 - Film-Philosophy 25 (2):207-211.
Robert Sinnerbrink , New Philosophies of Film: Thinking Images . Reviewed by.Adam Melinn - 2012 - Philosophy in Review 32 (5):428-430.
New Philosophies of Film: Thinking Images by sinnerbrink, robert.Deborah Knight - 2012 - Journal of Aesthetics and Art Criticism 70 (4):401-403.
Romantic Film-Philosophy and the Notion of Philosophical Film Criticism.Cato Wittusen - 2016 - Film-Philosophy 20 (2-3):198-218.
Phenomenology of Film: A Heideggerian Account of the Film Experience.Shawn Loht - 2017 - Lanham, Md: Lexington Books.
Film as Heideggerian Art? A Reassessment of Heidegger, Film, and his Connection to Terrence Malick.Shawn Loht - 2013 - Film and Philosophy 17:113-36.
Response to Critical Views of Phenomenology of Film.Shawn Loht - 2024 - Film-Philosophy 28 (1):113-130.
Analytics
Added to PP
2024-01-09
Downloads
53 (#411,417)
6 months
9 (#497,927)
2024-01-09
Downloads
53 (#411,417)
6 months
9 (#497,927)
Historical graph of downloads
Author's Profile
Citations of this work
The ‘Worlds of Cinema’ and the ‘Cinema of Worlds’: A Heideggerian Phenomenology.Ben Trubody - 2024 - Phainomenon 37 (1):43-59.
References found in this work
A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.Chiara Quaranta - 2020 - Film-Philosophy 24 (1):1-21.
Editor’s Introduction: What is Film Phenomenology?Christian Ferencz-Flatz & Julian Hanich - 2016 - Studia Phaenomenologica 16:11-61.
Nature Screened: An Eco-Film-Phenomenology.Ilan Safit - 2014 - Environmental Philosophy 11 (2):211-235.
Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
Film as Heideggerian Art? A Reassessment of Heidegger, Film, and his Connection to Terrence Malick.Shawn Loht - 2013 - Film and Philosophy 17:113-36.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-648784bb4d-f5f4x uwo