Abstract

This paper discusses the poetic art of cultivating the sacred by connecting the thought of two unlikely figures, twentieth-century anthropologist and systems theorist Gregory Bateson and nineteenth-century poet-philosopher Friedrich Hölderlin. Gregory Bateson’s theory of mental process within the ecology of mind, characterized in terms of metaphor and simile, or poetry and prose thinking, is illustrated with the aid of two syllogisms, the syllogism in Barbara and the syllogism in Grass. In light of these syllogisms, Friedrich Hölderlin’s views on the task of the poet and the logic behind tragic song are then examined. Hölderlin’s poetic theory reveals how two elements of the song, tragic metaphor and caesura, invoke a living representation of the sacred, or the whole of ecology of mind