Abstract

This review essay develops Gordon Bearn's interpretation of Deleuze's philosophy as an aesthetic existential indicative of the creative practice of life drawing. Life drawing requires moving beyond various forms of representation that stultify the movement of becoming and limit our ability to appreciate sensuous singularity and intensive pluralities. Sholtz offers an original account of the singularity of sensual existence, amplifying the tenuous relationship between beauty and suffering, or the intensification of life, which Bearn courageously explores. The article addresses several important themes which are used to carve out a new aesthetico-ethical path of existing: beauty as imperfection, affirmation of pointlessness, the disarticulation of the aesthetic from the formal realm of art, the existential recognition of the eliminable multiplicity of possible paths, and the indeterminate nature of a true event.