Abstract

Setting itself at the heart of the problem of the schematism in Kant, Kant’s thing-in-itself problematic, and Nietzsche’s genealogical critique of metaphysics and morals, Blondel’s Nietzsche: The Body and Culture attempts to respond to a problem perhaps as old as philosophy itself: how is one to account for both the one and the many, both order and chaos, being and becoming, culture and nature, language and the body—especially if “accounting” is an act of reason, conceptualization, and language? Blondel finds in Nietzsche a living thinking that refuses to give up on these conceptual oppositions altogether, but neither resolves them dialectically, nor simply remains a dualistic or oppositional thinking.