Abstract

Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris station crew. Tarkovski wanted to address this way the deeply emotional and intellectual science-fantastic genre, considered by him to be superficial. The film approaches a central phenomenon of Klaus Holzkamp’s critical-psychological analysis of human perception: the perceptions of the human world are significant to human beings. In perception, human beings are oriented towards an objective sense, which objects possess it in connection with the vital activity of the people. By virtue of this quality, the localization of meanings in objects is exclusively a characteristic of the human world. DOI: 10.13140/RG.2.2.13456.05129