Abstract

Drawing primarily on Relevance Theory, this essay explores mindreading strategies in the works of La Rochefoucauld and La Bruyère. The first part shows how La Bruyère exploits such strategies in bridging the gap between author and reader and in building his character portraits through observation of bodily behaviour. It also shows how he stages mindreading between characters. The second part analyses the procedural expressions ‘souvent’ and ‘ne que’ as linguistic clues to mental processes, more specifically as a device for bypassing readers' epistemic vigilance mechanisms. Rather than providing evidence for exceptions to the ruling principle of self-interest, such expressions block readers' attempts to draw such conclusions, thereby rendering their cognitive environment more uncertain. Endemic in La Rochefoucauld's Maximes, they prepare the ground for and help to construct the pessimistic world-view and wit that characterize the work as a whole.