Abstract

This article engages with A’s “Crop Rotation” in Either/Or—the “boredom” essay—as a source for serious thought on the modern crisis of faith. Exploring A’s portrayal of the modern subject as isolated and self-enclosed, a “bored” condition linked to its radical autonomy and self-directed existence, it suggests that A’s explanation for this condition still holds today: modern humans’ self-assertion (and hence self-isolation) emerges as a response to a profound loss of meaning. Through an existential reading of A’s essay, it highlights A’s notion of “demonic pantheism” as illuminating what lies behind boredom, namely, a relatable experience of disillusionment following the loss of meaning—in other words, “existential doubt” or a crisis of faith.