When is a picture?

Synthese 95 (1):95 - 106 (1993)
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Abstract

Philosophical discussions of depiction sometimes suffer from a lack of differentiation between several questions concerning the nature of pictorial representation. To provide a suitable framework I distinguish six such questions and several levels on which one might want to proceed in order to answer some of them. With this background, I reconstruct Goodman's and Elgin's answer to the specific question: What distinguishes the pictorial from the verbal or linguistic? I try to reveal some major motivations behind their system-oriented approach and to indicate some reasons why a strategy of this kind is to a certain extent mandatory to grasp the nature of the pictorial. The system-relative and functional character of depiction has to be captured by every adequate theory.

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Oliver R. Scholz
University of Münster

Citations of this work

A solid sense of syntax.Oliver Robert Scholz - 2000 - Erkenntnis 52 (2):199-212.

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References found in this work

Ways of worldmaking.Nelson Goodman - 1978 - Hassocks [Eng.]: Harvester Press.
Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
Problems and projects.Nelson Goodman (ed.) - 1972 - Indianapolis,: Bobbs-Merrill.
Languages of Art.Nelson Goodman - 1968 - Indianapolis,: Hackett Publishing Company.
Of mind and other matters.Nelson Goodman - 1984 - Cambridge: Harvard University Press.

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