- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
The role of exposure in emotional responses to music
Behavioral and Brain Sciences 31 (5):594-595 (2008)
Abstract
A basic aspect of emotional responding to music involves the liking for specific pieces. Juslin & Vll (J&V) fail to acknowledge that simple exposure plays a fundamental role in this regard. Listeners like what they have heard but not what they have heard too often. Exposure represents an additional mechanism, ignored by the authors, that helps to explain emotional responses to musicOther Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Ritual harmony: Toward an evolutionary theory of music.Candace S. Alcorta, Richard Sosis & Daniel Finkel - 2008 - Behavioral and Brain Sciences 31 (5):576-577.
Responses to music: Emotional signaling, and learning.Martin F. Gardiner - 2008 - Behavioral and Brain Sciences 31 (5):580-581.
Affective spectra, synchronization, and motion: Aspects of the emotional response to music.Jamshed J. Bharucha & Meagan Curtis - 2008 - Behavioral and Brain Sciences 31 (5):579-579.
Evidence from young children regarding emotional responses to music.Steven John Holochwost & Carroll E. Izard - 2008 - Behavioral and Brain Sciences 31 (5):581-582.
How music fills our emotions and helps us keep time.Patricia V. Agostino, Guy Peryer & Warren H. Meck - 2008 - Behavioral and Brain Sciences 31 (5):575-576.
Musical emotions in the context of narrative film.Matthew A. Bezdek & Richard J. Gerrig - 2008 - Behavioral and Brain Sciences 31 (5):578-578.
The role of semantic association and emotional contagion for the induction of emotion with music.Thomas Fritz & Stefan Koelsch - 2008 - Behavioral and Brain Sciences 31 (5):579-580.
Music-Specific Emotion: An Elusive Quarry.Jerrold Levinson - 2016 - Estetika: The European Journal of Aesthetics 53 (2):115-131.
Do all musical emotions have the music itself as their intentional object?Jenefer Robinson - 2008 - Behavioral and Brain Sciences 31 (5):592-593.
Analytics
Added to PP
2009-01-28
Downloads
64 (#327,104)
6 months
10 (#379,980)
2009-01-28
Downloads
64 (#327,104)
6 months
10 (#379,980)
Historical graph of downloads
Citations of this work
Current Emotion Research in Music Psychology.Swathi Swaminathan & E. Glenn Schellenberg - 2015 - Emotion Review 7 (2):189-197.
References found in this work
Mixed affective responses to music with conflicting cues.Patrick G. Hunter, E. Glenn Schellenberg & Ulrich Schimmack - 2008 - Cognition and Emotion 22 (2):327-352.
Liking for happy- and sad-sounding music: Effects of exposure.E. Glenn Schellenberg, Isabelle Peretz & Sandrine Vieillard - 2008 - Cognition and Emotion 22 (2):218-237.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6b8b7fc7ff-j688m uwo