Abstract

While Hans Joas examines the theoretical and philosophical fabrication of disenchantment and secularization in order to better measure its limits and draw new perspectives, this article returns, through a historical field investigation, to the motivations of secularizers, who were at odds with the Church and the clergy. Why did they want to dislodge the sacred, in its Christian form, from collective spaces such as education, the State or the cemetery? The cultural history of the 19th century, through specific cases and archival documentation, allows a better understanding of the contradictory logics that preside over the process of secularization, giving a context to the theorizations of Max Weber and Ernest Troeltsch.