Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgement, by Rudolf A. Makkreel

Journal of the British Society for Phenomenology 25 (2):201-202 (1994)
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10.1080/00071773.1994.11007067

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MAKKREEL, Rudolf A., Imagination and Interpretation in Kant. The Hermeneutical Import of the 'Critique of Judgment'MAKKREEL, Rudolf A., Imagination and Interpretation in Kant. The Hermeneutical Import of the 'Critique of Judgment'. [REVIEW]Claude Piché - 1997 - Laval Théologique et Philosophique 53 (1):244-246.
Book review of Rudolf M. Makkreel imagination and interpretation in Kant: The hermeneutical import of the critique of judgment: Review: Rudolf M. Makkreel, imagination and interpretation in Kant: The hermeneutical import of the critique of judgment. The university of chicago press: Chicago and London, 1990. $24.95. [REVIEW]Tracey Stark - 1992 - Philosophy and Social Criticism 18 (1):111-118.
Rudolf A. Makkreel, "Imagination and Interpretation in Kant: The Hermeneutical Import of the "Critique of Judgment"". [REVIEW]Thomas Nenon - 1993 - Journal of the History of Philosophy 31 (1):145.
Rudolph A. Makkreel, Imagination and Interpretation in Kant. The Hermeneutical Import of the Critique of Judgement Reviewed by. [REVIEW]Eva Schaper - 1991 - Philosophy in Review 11 (4):267-269.
Rudolf A. Makkreel., Imagination and Interpretation in Kant: The Hermeneutical Import of the "Critique of Judgment". [REVIEW]Guenter Zoeller - 1994 - International Studies in Philosophy 26 (2):133-133.
Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment Rudolf A. Makkreel Chicago: University of Chicago Press, 1990, xi + 187 pp., $31.20. [REVIEW]Brigitte Sassen - 1993 - Dialogue 32 (2):416-.
Imagination and interpretation in Kant: the hermeneutical import of the Critique of judgment.Rudolf A. Makkreel - 1990 - Chicago: University of Chicago Press.
Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment.Salim Kemal - 1991 - Journal of Aesthetics and Art Criticism 49 (4):388-390.
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Frank Schalow
University of New Orleans

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