Tuning as Lyricism: The Performances of Orality in the Poetics of Jerome Rothenberg and David Antin

Critical Inquiry 37 (4):782-786 (2011)
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Abstract

Tuning might be the figure best suited to joining this pair of apparently incongruous texts, tuning in the sense defined by David Antin as “a negotiated concord or agreement based on vernacular physical actions with visible outcomes like walking together,” as opposed to understanding, which is predicated, Antin contends, “on a geometrical notion of congruence.”

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