Abstract

Any plausible account of the act of pretending, either by presupposition or constitution, involves an assumption that the facts are other than what they are. An examination of various accounts of pretence shows this to be the feature that distinguishes it from other actions such as imagining, fantasizing, creating, or hypothesizing. This discovery has implications for standard analyses of the nature of fiction. To wit, whatever is occurring when engaged in reading a work of fiction, it is not an act of pretence, since in reading a work of fiction, whether the facts are other than what they are is irrelevant to understanding and enjoying the story. The rather long history of appeals to pretence to explain the nature of fiction and our engagement with it, then, fail.