Abstract

In Cultural Collisions Raphael Sassower brings postmodernism face to face with technoscience and considers the viability of public works, such as the Superconducting Supercollider, in a postmodern age. Contending that technoscientific projects are contingent upon economic and political support, and not simply upon their scientific feasibility, Sassower illuminates the cultural context of postmodern technoscience vis-a-vis an examination of postmodernism and the philosophy of late 20th century science.