Abstract

The article analyzes the plot tropes of the British mini-series “Dracula”, produced by screenwriters S. Moffat and M. Gatiss, creators of the even more popular TV series “Sherlock”. The new “Dracula”, a mixture of black comedy and body horror, was produced by the BBC and shown on the streaming platform NETFLIX in 2020. The mini-series received the most controversial appraisals from viewers and art critics: from very enthusiastic to sharply negative. The author of this article examines the plot of the series “Dracula” and offers her own version of decoding its meanings. The article sequentially examines the artistic techniques used by famous British screenwriters to create visual and emotional effects, such as black humor, hypertext, queerbaiting, sexual seduction, the “defeated expectancy” trop etc.