Abstract

This essay argues that Zizek’s post-Lacanian critique of contemporary culture stays within the logic of the discourse of the university and often functions to repress psychoanalysis and the unconscious. By looking at how Zizek divides Lacan work into a bad early Symbolic stage and a good late period that promotes the Real, enjoyment, and the death drive, I reveal how this binary and linear reading functions to efface important connections and differences concerning the key concepts of psychoanalysis. In fact, Zizek’s work utilizes the obsessional processes of negation, splitting, fragmenting, and projection in order to absorb analytic practice into a self-consuming Hegelian negative dialectic. Moreover, his use of repetition in his own writings replicates the short-circuit of the death drive that finds enjoyment by returning to the subject in an act of self-negation. In looking closely at how Zizek reads Lacan, I place Zizek’s work within the contemporary backlash against progressive social movements and the social construction of knowledge. Thus, by creating a closed circle between the subject of autonomous repetition and the universal discourse of global nihilism, he represses social Symbolic mediation and reiterates a fundamentalist logic of obscene enjoyment. In fact, we can read his use of humor and popular culture as an effort to bond with his audience by providing enjoyment in exchange for the suspension of criticism and responsibility. In short, I argue that Zizek’s work is structured like a joke