Abstract

This article will argue that much of Kierkegaard’s authorship is reflective of the characteristics of the Eucharistic liturgy found in the 1830 Forordnet Alter-Bog for Danmark (confession, invitation, preparation/exhortation, consecration, and thanksgiving/praise/blessing), particularly as each of those elements of the liturgy are reflected in his seven Discourses at the Communion on Fridays in Part IV of Christian Discourses. Major components of his authorship function as an indirect invitation to the single individual reader to inwardly experience the prototype-redeemer dialectic as it was enacted in a typical Eucharistic liturgy of Kierkegaard’s day. The readers of Kierkegaard’s work make interpretive decisions not only about Kierkegaard’s texts, but most importantly about themselves, God, and the paradox of Christ, such that by the time they finish the authorship they find themselves inwardly standing at the foot of the altar, either offended by the paradox of Christ and ready to turn and leave, or beating their breasts alongside the tax collector.