Abstract

If we read Hegel′s “phenomenology” not as a historical product of the intention of an author, but as an expression of the process of creative experience, whose autonomous “negativity” changes every intention of objectual cognition, then the fundamental problems of its “systematic” pretention emerges in a new manner. Creative processes possess an unconditional, incalculable dimension of time, which cannot be reduced to the progressive growth of experience theoretically mediated and controlled. Guided by this understanding, the essay develops the problem of the temporality of the “selfmovement” of the “speculative concept” and its unavailable “negativity”, interpreting it as the logic of creative development which removes itself from the calculation by way of presupposed distinctions