Abstract

This review examines Eduardo C. Bittar’s _Semiotics_, _Law & Art_, exploring how visual culture and semiotics intersect with law to reveal the symbolic layers of justice and authority. Drawing from multiple disciplines—including visual arts, theatre, and architecture—Bittar positions justice as a semiotic inquiry. He critiques modern legal positivism and advocates for a culturally embedded understanding of law, utilizing semiotic approaches like Greimasian analysis. The book is divided into two parts: foundational theory and its application in visual media. Each chapter contributes to understanding how cultural symbols influence the perception and practice of justice. While Bittar’s interdisciplinary approach enriches the field of visual jurisprudence, the lack of empirical engagement is noted as a limitation. Future research integrating empirical studies could validate his claims and emphasize the importance of cultural narratives in shaping legal consciousness. Overall, the book is a significant contribution, encouraging scholars to look beyond text and embrace the cultural and visual dimensions of law for a holistic understanding of justice.