Abstract

The article investigates how dancers can actively shape and handle the ways they are affected throughout their artistic practices. To do so, we adopt a phenomenological-ethnographic approach, analysing the dance-artist Kitt Johnson's site-specific performance production called Mellemrum ('the space between spaces'). We put ethnographically based interview data in a dialectical interaction with the existing notions of affectivity and affective scaffolding — showing their usefulness, while also noting the need for the further notion of what we call affective engagement. This notion, we argue, is needed to account for how artists actively handle their affective involvements. Specifically, as we show, in Mellemrum the dancers deliberately and strategically juggle between (i) a self-affective engagement, (ii) an affective engagement with the environment (space and people), and(iii) an affective-aesthetic engagement with the choreography and artistic ideas of the performance.