Art as a Social System: The Sociological Aesthetics of Niklas Luhmann

Telos: Critical Theory of the Contemporary 2009 (148):111-140 (2009)
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Abstract

The work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on social and cultural theory in the German-speaking world. In Britain and North America, however, he remains a relatively marginal…

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reprint Rampley, M. (2009) "Art as a Social System: The Sociological Aesthetics of Niklas Luhmann". Télos 2009(148):111-140

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