Abstract

In Sensation's Ghost, Mangan elaborates on James's notion of fringe. We agree with Mangan that "the most important nonsensory experience is coherence or 'rightness'". Our critique presses for a fuller analysis of what Mangan calls feelings of rightness and wrongness. We first describe different types and levels of FOR/W and how types and levels interact. We also discuss sensitivity to and intensity of FOR/W, which vary systematically, and explain some of this systematicity. Finally, our elaboration of FOR/W helps explain the personal significance of non-sensory or fringe experience -- something critical for James, especially in his later writings.