Abstract

This book contributes to the philosophy of mind by finding a middle ground for analysis in the work of art, understood not merely as a thing but as a concrete manifestation of an individual mind. In the other direction aesthetic theory is sharpened by applying the categories of mind in explaining the structure found in a work of art. The book is made up of essays on such differing topics as drawing an object, the mind’s image of itself, expression, the art lesson, illusion, symbolism, and discussions of the thinkers T. S. Eliot, F. H. Bradley, and R. G. Collingwood. And the various topics are treated as separate issues, though each exemplifies Wollheim’s thesis that there is not one basic problem to be explained in art or in the philosophy of mind.