The critic as human being

Common Knowledge 23 (1):19-56 (2017)
  Copy   BIBTEX

Abstract

Mikhail Epstein's essay “Inventive Thinking in the Humanities,” also published in the January 2017 issue of Common Knowledge, argues that the humanities are in crisis because humanist academics have “turned away from human beings and focused on texts.” Expanding on this point while concentrating on a single humanities field, literary studies, this response to Epstein makes the case that fear and awe of the sciences have resulted in the exclusion of subjectivity from literary criticism, even though regarding the critic as anything but a subjective human being responding to the creative work of other subjective human beings makes very limited sense. Avenues of resistance to impersonal criticism have emerged from time to time, and this essay explores several, including those of Susan Sontag, Stanley Fish, Jane Tompkins, Rivka Eifermann, Harold Bloom, and Stephen Greenblatt. None, however, is seen as having had a decisive impact on the academic mainstream. This essay concludes by examining the possibility that literary works are best responded to not in criticism but in other literary works.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,505

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2017-11-22

Downloads
14 (#1,279,562)

6 months
8 (#591,777)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Against Interpretation: And Other Essays.Susan Sontag - 1966 - Farrar, Straus and Giroux. Edited by Barney Rosset.
.Jessy Giroux - 2012 - Les ateliers de l'éthique/The Ethics Forum 7 (1):213-233.
Inventive thinking in the humanities.Mikhail Epstein - 2017 - Common Knowledge 23 (1):1-18.
To Criticize the Critic.T. S. Eliot - 1966 - Journal of Aesthetics and Art Criticism 24 (4):606-607.

Add more references