Abstract

Heinrich Popitz’s Phenomena of Power aims to uncover power as “a universal component in the genesis and operation of human societies”. In order to uncover this “universal” concept of power, Popitz employs Husserl’s method of the “imaginative variation” [Phantasievariation]. Yet, contrary to phenomenology’s traditionally descriptive posture, Phenomena of Power’s project is at once descriptive and normative—seeking not only to describe power, but to also describe the way in which power can be remade. In the present paper it is argued that this normative component of Popitz’s project offers the burgeoning field of critical phenomenology an illustration of the way in which Husserl’s “imaginative variation” might be employed not only as a descriptive tool of pure essences, but also as an instrument in the refashioning of social reality.