- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Studies in Iconology, Humanistic Themes in the Art of the Renaissance [Book Review]
Philosophical Review 49 (5):584-586 (1940)
Abstract
This article has no associated abstract. (fix it)Other Versions
No versions found
My notes
Similar books and articles
Studies in Iconology. Humanistic Themes in the Art of the Renaissance. [REVIEW]T. M. G. - 1939 - Journal of Philosophy 36 (26):717.
Mediaeval and Renaissance Studies, I, 2. [REVIEW]Charles W. Jones - 1945 - Philosophical Review 54 (3):286-287.
Research in the Humanistic and Social Sciences. [REVIEW]A. B. Wolfe - 1929 - Philosophical Review 38 (1):89-94.
The Renaissance of the Twelfth Century. [REVIEW]Preserved Smith - 1928 - Philosophical Review 37 (3):273-276.
Mimesis and Art: Studies in the Origin and Early Development of an Aesthetic Vocabulary.J. C. B. Gosling - 1969 - Philosophical Review 78 (2):273.
Analytics
Added to PP
2015-02-02
Downloads
72 (#292,738)
6 months
3 (#1,477,354)
2015-02-02
Downloads
72 (#292,738)
6 months
3 (#1,477,354)
Historical graph of downloads
Citations of this work
Phasmagraphy: A potential future for artistic imaging.Elke Reinhuber - 2017 - Technoetic Arts 15 (3):261-273.
The Image: Historical, Conceptual, Aesthetic, Moral.Alison Ross - 2013 - Critical Horizons 14 (3):265-270.
Laws of nature, natural history, and the description of the world.James W. McAllister - 1997 - International Studies in the Philosophy of Science 11 (3):245 – 258.
Painting for the blind: Nathaniel Hone’s portraits of Sir John Fielding.Georgina Cole - 2017 - Intellectual History Review 27 (3):351-376.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-648784bb4d-xlp8h uwo