Abstract

This article explores the resonances between certain concepts of Deleuze and Badiou and a Western Buddhism that is figured, in Foucault's terminology, as a particular ‘technology of the self’. In particular Deleuze's readings of Bergson and Spinoza are brought into encounter with Buddhist doctrine and practice alongside a consideration of the figure of the bodhisattva who is further compared to Badiou's account of the subject. At stake in these enquiries and experimental conjunctions is the laying out of a particular – and liveable – diagram of the finite–infinite relation, or, we might say, a specifically Western dharma for a contemporary production of subjectivity