Abstract

The present paper is a reading of Jean-Pierre Jeunet’s recent film, A Very Long Engagement, mainly through the lenses of Jacques Lacan’s psychoanalytical theory of the human subject—particularly his notion of the subject’s desire, which constitutes every human subject as a singular being. Moreover, for Lacan the subject faces the task of taking up his or her desire as a prerequisite for truly ethical action. The character of Mathilde in Jeunet’s film, it is argued, may be seen as being paradigmatic in this respect, insofar as she acts in accordance with her desire. This is demonstrated with reference to the narrative structure of Jeunet’s film