Abstract

Rather than examining the possibilities of the relation between phenomenology and literature as they are conditioned by the imaginary image, this paper takes up the impossibility essential to this relation, bound to the question of its experience, to the experience of literature. The question of what “the experience of literature” is, what it signifies and directs itself towards, is explicated and unravelled in an analysis of the experience of the writer (and, at times, the reader), with the aid of Emmanuel Levinas’ few engagements with art and literature, paired with the thought of Maurice Blanchot on the interruption of writing (in both the subjective and objective genitives). In tracing what passes through consciousness in this experience of literature, marking its impasses and its faltering approaches, the impossibility exposed in the experience of literature shall be shown to be necessary for opening and maintaining the distance binding phenomenology and literature in their separation and their traversal of the image.