Abstract

Whenever understanding is sought we are obliged to justify our interpretations – to demonstrate that they furnish an adequate understanding of the world and its objects. The problem is to know whether this is possible – that what we take to be conclusive justifications do not covertly appeal to other favoured interpretations or systems of explanation, thus obviating the possibility of a neutral justification. By exploring the nature of interpretation, I argue that neutral justifications of interpretations about works of art are indeed possible and that such interpretations can be shown to be true or false.