Abstract
This is a timely critique of contemporary Marxist theory, its implications for social structure, and its practical dilemmas. Three themes appear throughout: the mythologizing of Marx, the rationale of Revolution, and the significance of history for social philosophy. Contrary to the approach of many commentators, Hook emphasizes the tremendous differences between the "early" and "late" Marx. He insists that "to judge Marx’s meaning by his own intent, we must go to the published works for which Marx took public responsibility." In the course of the discussion, the author criticizes contemporary Marxist theory. It has itself become an "ideology," a mythology with an uncritical belief in the seemingly universal solution to human ills offered by the socialization of the means of production through revolution. Hook emphasizes that the tone of later Marxist writings, particularly Capital, had gradually shifted away from any belief in the inevitability of violent revolution. From this perspective the author traces the ambiguities of Marx’s writings that afforded the opportunity for Leninist-Stalinist revisionism on this and other issues. Hook is suspicious of the facile and selective exegesis of Marx’s writings used to support the political bias of many commentators. Revolution itself has become a symbol, which, in the author’s view, is often taken up uncritically to support a myth of society. In this context Hook has an enlightening discussion of the putative "right" to revolution. It is essentially an extralegal power, legitimate only where the context of the historical events makes intralegal change absolutely impossible. The author is therefore disturbed by the "cult of revolution" which uses a mythologized Marx to support a program of deliberate, episodic violence as a strategy of social change. The significance of historical experience is evident throughout these later chapters, particularly where Hook undertakes a reevaluation of the Bolshevik Revolution. The historical and philosophical misconceptions underlying ideologies of violence are the most frequent subjects of his criticism. These ideologies have sought to draw moral support from legitimizing examples of history, as well as from the mythologized Marx. Hook goes to great lengths to deny them any such support. Hook concludes with an examination of the emerging scheme of human rights, insisting that they must be understood in their historical context, and that democratic principles are the key to their full realization.