CHAPTER 2. History as an Art of the Imagination

In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 20-47 (1990)
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10.1515/9781400861187.20

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Morrison . History as a Visual Art in the Twelfth-Century Renaissance. [REVIEW]Hans-Werner Goetz - 1993 - Revue Belge de Philologie Et D’Histoire 71 (4):1120-1121.
CHAPTER 4. From One Renaissance to Another.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 92-136.
CHAPTER 3. Cognition and Cult.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 48-91.
CHAPTER 5. The Kingdom of God: A Silence of Intuition.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 139-153.
CHAPTER 8. Conclusions: A Word on “Medieval Humanism”.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 245-250.
CHAPTER 6. The Hermeneutic Role of Women: A Silence of Comprehension.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 154-195.
CHAPTER 1. Interpreters at the Feast, or A Dialogue between Ancients and Moderns.Karl F. Morrison - 1990 - In Karl Frederick Morrison (ed.), History as a Visual Art in the Twelfth-Century Renaissance. Princeton University Press. pp. 3-19.
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