Abstract

We introduce the notion of generic design from a new perspective, though the term does have a history in fields like systems science and along somewhat different paths in cognitive science, artificial intelligence and software engineering. For the latter, it was hypothesized as a unique type of thinking with similarities among design activities in different situations but with crucial differences between these and other cognitive activities. For the former, it was an approach to management of complexity through systems design via socialtechnical systems theory. The focus of our work is different from both. We do not investigate design as a unique type of activity, though we do not deny that it could be. Also, our work is not solely ensconced in a social-technical system. For us, the latter can also be seen as a physical and/or biological system from which materials for new construction can also be employed. Also for us, the arts are as important to address as science or engineering. Our work is generic because it does not start by limiting itself to designated disciplines or paradigms, fields or domains. Rather for us, generic design supposes an encompassing multi-disciplinary, multi-field approach for dealing with the ever-growing number and diversity of knowledge islands that are becoming more interconnected with support for going somewhat native. We also show how generic design participates in the qualitative or what are sometimes called incommensurable paradigmatic shifts in which knowledge grows. We begin development of generic design by combining philosophy and engineering, situating them in craftwork through the use of an integrative object from the construction crafts – scaffolding. Scaffolding becomes a way station between knowledge in its current state toward new conceptions under development. This paper is itself a way station, which links generic design with developments in philosophy, in science and engineering.