Imagination, Performativity, Technics. A Kantian Approach

In Antonino Pennisi & Alessandra Falzone (eds.), The Extended Theory of Cognitive Creativity: Interdisciplinary Approaches to Performativity. Springer Verlag. pp. 151-161 (2019)
  Copy   BIBTEX

Abstract

In the present paper, I propose to rebuild and develop the concept of «Technical Schematism» presented by Kant Critique of the pure reason. Cambridge University Press, Cambridge, 2000c) in the first Introduction to his Critique of the Power of Judgment [1790]. With this concept Kant designates a transcendental principle of a new type, endowed with a high epistemological interest. In fact, although it does not determine anything about nature, it sheds light on the analogical procedure by which the faculty of judgment organizes and extends the empirical experience. I will show, in particular, that the concept of «Technical Schematism» contains precious indications for: consistently confront the issue of the performativity implied in the human praxis; profitably connect it with the issue of technics; open a promising perspective, in order to refer both performativity and technics to the cognitive function of language.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,795

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Depth: a Kantian account of reason.Melissa Zinkin - 2024 - New York, NY, United States of America: Oxford University Press.
Kant and the Art of Schematism.Samantha Matherne - 2014 - Kantian Review 19 (2):181-205.

Analytics

Added to PP
2020-06-17

Downloads
15 (#1,244,127)

6 months
7 (#740,041)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references