Abstract

I propose a reading of some theoretical-critical texts published during the first decade of the twenty-first century, in order to perform a cartography of the complex weft of aesthetic knowledge and, in doing so, to consider new inflections and points of view to read the arts, the literature and its policies. The inquiries of Jacques Rancière, Andreas Huyssen, Nicolás Bourriaud, Reinaldo Laddaga and Néstor García Canclini are projected on the contemporary scene as reformulations of a discourse that tries to refer the work with form and sensation, now disseminated as a production that reorganizes the material an symbolic conditions of art in its dialogue with the world. Each of these authors make unique characterization of contemporary aesthetics, all of which question the modern disciplinary rigidity to identify aesthetic practices as acts that can reorganize the sense of community and the ways of life through sensible exploration.