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The Aesthetics and Psychology of the Cinema
Indiana University Press (1997)
Abstract
Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.Other Versions
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Citations of this work
Passions and Actions: Deleuze's Cinematographic Cogito.Richard Rushton - 2008 - Deleuze and Guatarri Studies 2 (2):121-139.
Art's Self-Disclosure: Hegelian Insights into Cinematic and Modernist Space.C. A. Tsakiridou - 2013 - Evental Aesthetics 2 (1):44-72.
Foucault & Deleuze Ekseninde Anarşist Bir Film Teorisi.Nathan Jun - 2016 - Istanbul: Altikirkbeş Basin.
Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. New York: Routledge. pp. 196.
C. S. Peirce and Intersemiotic Translation.Joao Queiroz & Daniella Aguiar - 2015 - In Peter Pericles Trifonas (ed.), International Handbook of Semiotics. Dordrecht: Springer. pp. 201-215.
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