Abstract

During the android Ash's confession in Alien, peope learn a lot about the creature that has been stalking the crew of the Nostromo. Rather than give the human survivors some hope about their chances of overcoming the Xenomorph, Ash waxes poetic about the alien's nature, describing it as the “perfect organism”. The nature of the Xenomorph illustrates some of the core principles of Nietzschean philosophy. This chapter focuses on the idea of the Übermensch and how the aliens from this beloved franchise so perfectly realize, in fiction, the kind of existence Nietzsche hoped to make a reality. It draws on not just the four films of the Alien quadrilogy, but also the franchise's expanded universe of comics, novels, video games, and other product tie‐ins. In order to introduce his cinematic terror in Alien, director Ridley Scott had to transport viewers to a harsh, distant world where strange vessels house even stranger mysteries.