Abstract

Contents INTRODUCTION: PHENOMENOLOGICAL APPROACHES TO THE POLITICAL IN PATOČKA AND MERLEAU-PONTY 11 1. Memory and community 11 2. Patočka 18 3. Merleau-Ponty, Husserl and institution 22 4. The political context 28 5. Status of the current research 32 6. Overview of the chapters 34 CHAPTER 1: THE PHENOMENOLOGICAL EPOCHĒ AND THE POLITICAL 39 1. Introduction 39 2. Criticism of Husserl’s notion of the lifeworld 46 3. The a priori of the World 49 4. The subject and the epochē 56 5. Epochē to polis 61 6. Two ways into the epochē: myth and “le bouc émissaire” 76 7. A “public/private” distinction in the performing of the epochē 84 CHAPTER 2: THE BODY AT THE FRONT: CORPOREITY AND COMMUNITY IN JAN PATOČKA’S HERETICAL ESSAYS IN THE PHILOSOPHY OF HISTORY. 89 1. Introduction 89 2. The front 94 3. The double determination of life: Patočka and Foucault on “war” 98 4. Rooting 126 5. The body at the front 135 CHAPTER 3: LOOKING-IN ON EUROPE 145 1. Introduction 145 2. Post-Europe 147 3. Globalization as shaking 157 4. The idea of culture 162 5. Looking-in on Europe 164 6. The borders of Europe: towards a post-European democracy 175 a. Polemos and boundary 175 b. The skin and the soul 178 c. Europe and the boundary 190 CHAPTER 4: HUSSERL ON STIFTUNG AND STYLE 201 1. Introduction 201 2. Husserl’s concepts of retention institution and the possibility of an “institutional unconscious” 202 a. Retention 202 b. Husserl’s notion of institution in §50 of the Cartesian Meditations 210 c. Difficulties 220 d. Retention as unconscious 221 3. Husserl´s concept of style in Ideas II 236 a. Introduction 236 b. Institution and style 237 c. Style 243 d. Style and intersubjectivity 248 e. Style and politics in Merleau-Ponty 254 4. §15 of the Crisis of the European Sciences and Transcendental Phenomenology: “Reflection on the method of our historical manner of investigation” 259 a. Stiftung as the task of history 259 b. Endstiftung 269 c. Endstiftung and Style 272 5. Community and surrounding world in section three of Ideas II 274 6. “The Origin of Geometry” 291 CHAPTER 5: STIFTUNG AND STYLE IN MERLEAU-PONTY 303 1. Introduction 303 2. Institution and Style 304 a. event/advent 304 b. The opening of a field 308 c. The relation to the past, or subterranean communication across time: Urstiftung—Nachstiftung—Endstiftung 310 d. Style 312 e. Latency 314 3. Three painters: Matisse, Cézanne, and Vermeer 319 a. Matisse 319 b. Cézanne 325 c. Vermeer 337 4. The historical field 344 a. The field of praxis 344 b. Symbolic matrices 355 c. Matrix institutions 361 CHAPTER 6: THE NOBLE MEMORY: SURVIVAL, DEMOCRACY AND RESISTANCE 371 1. Introduction 371 a. “Resistance” and “survival” 371 b. The plaque 372 c. “Inertia” and “movement” 378 d. Difficulties 383 e. Vulnerability 385 2. Institution and parliamentary democracy 391 a. Merleau-Ponty’s support for parliamentary democracy 391 b. An institution of institutions 396 c. “Regime” and “corps de l’État” 400 d. Survival 406 e. Institution and reparation 421 f. Institution and revolution 423 g. Democracy, epochē, and virtù 424 h. Concrete political action 429 3. Resistance 430 a. The “mythical” past and the “verbal-Wesen of society” 432 b. The generality of freedom and the unconscious 441 c. Endstiftung, Telos and Truth 442 CONCLUSIONS 451 BIBLIOGRAPHY 471.