Abstract

Andrew Bowie rejects the philosophy of music. He does so because it objectifies music and because it only ever affirms the practitioner’s prior philosophical assumptions. I argue that Bowie’s rejection is illegitimate on two counts. First, he mischaracterises the philosophy of music. I show how. Second, even if his characterisation of the philosophy of music were a faithful representation of that discipline, his reasons for rejecting it would still not be sufficient. In particular, Bowie criticises the philosophy of music for not engaging properly with its ‘other’, yet refuses to engage seriously with his own ‘other’. Bowie aims for the wrong target – and misses anyway.