Abstract

This paper explores the way violence is understood and controlled in judo. The analysis is based on historical sources and classic principles of the martial art as well as in the regulations and official guidelines of the main institutions governing sportive judo. The focus is on the apparent tension between the principle of “maximum efficacy” (Seiryoku-Zenyo) and the way violence is addressed at no less than three levels: in sparring and competition, in teaching and training, and in society at large. The conclusion being the claim: judo is a “non-violent martial art”.