Violent States and Existential-Therapeutic Work in Mexican Ex-Voto Painting

In John Adlam, Tilman Kluttig & Bandy X. Lee, Violent States and Creative States (2 Volume Set): From the Global to the Individual (2018)
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Abstract

This paper undertakes an analysis of the distinctive forms of self-consciousness, self-representation and existential-therapeutic work characteristic of the ex-voto paintings in Mexican folk art, and examines the appropriation thereof in Kahlo's Self-Portrait with Cropped Hair.

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