Abstract

This essay proposes the imagination as a new concept for materialism through an interrogation of what therein resists traditional philosophical discourse, and ultimately what Heidegger calls technological positionality or enframing. Drawing from an unpublished 1970–1971 seminar of Derrida’s on materialism, I explore the interplay between the imagination and matter, art and space, in Aristotle, Plato, Heidegger, and Ponge.