Abstract

While a knowledge of Wordsworth's philosophical outlook would be quite helpful in understanding his poetry, it has proved difficult to re-construct this outlook from the fragmentary hints given in the poetry itself. Hirsch has found an adequate substitute in Schelling's early philosophy, notwithstanding the fact that neither was influenced by the other. The justification for linking Wordsworth with Schelling must be sought in the unity and inner coherence of the romantic perspective itself. Ignoring the vicissitudes in its development as extraneous to his purpose, Hirsch presents a clear and vigorous outline accurately portraying the basic features of Schelling's philosophy up to 1806. The application of insights gleaned from this study of Schelling to the interpretation of specific poems is both instructive and convincing.--L. S. F.