Abstract

This article examines selected texts in which Martin Heidegger thematizes the ontology of images, in order to adduce a view of how he under­stands their merits and limitations. I am primarily interested in the images seen in art works, especially those in film and photography, given Heidegger’s strong criticism of the latter alongside other 20th-century communicative media. The goal of the article is not to determine what is Heidegger’s central or overall position regarding images, as it is not clear that he has such a position. Rather, the goal is to analyze how his various statements on images, as well as imagination, fit together. I contrast Heidegger’s critical views in “The Age of the World Picture” with other texts in which he describes images more favorably. I also devote some space to texts in which Heidegger treats imagination and the origin of images more broadly.