Abstract

Richard Rorty sings in the antifoundationalist chorus. His song equates the rise of foundationalist epistemology with the professionalization of philosophy. The discordant notes he finds in the foundationalist score become, as a consequence, subversive of philosophy as an autonomous discipline.Nonetheless, the most salient feature of Rorty's recent book, Philosophy and the Mirror of Nature, is that it is by a professional philosopher, for professional philosophers and about the future of philosophy as a profession. The early chapters of the book are polished pieces of professional philosophical prose addressed to issues which have provoked interest in recent years among members of academic philosophy departments. They represent efforts to undermine foundationalist epistemology even in some of its currently fashionable guises as philosophy of language.