Abstract

Sartre's phobia of crabs is traced through his experimental experience with mescaline and such literary works as _Nausea_, _The Words_ and _The Condemned of Altona_. The phobia is analysed through an examination of Sartre's biphasic childhood Oedipus complex and attendant castration anxiety relating to his mother, father and stepfather. Finally, the question is raised of what the existence of unconscious phobias might imply about the relations between existentialism and psychoanalysis