Fritz Leiber
Abstract
           “I’ve written a story!†My eighty year old father’s rich, booming voice fired up the phone line, briefly burning through the fuzzy enunciation that stemmed from a minor stroke of three years back. It hadn’t been the stroke but rather his growing blindness that had slowed his production. Through dictation he’d still kept up his short monthly magazine column (in one of the last and most gravely scatological of these he’d inadvertently shamed my Enlightenment scholarship by writing “I thought everyone knew that Frederick the Great and Voltaire corresponded about their bowel movementsâ€). He sounded happier and more alive than I’d heard him in years, though the sketch he’d written, from a cat’s viewpoint, is spectrally peopled under aliases by his Shakespearian actor parents, and a spunky Lesbian witch who lightheartedly inducts my mother into her coven through ritualized sexual intercourse, which scandalizes my grandmother and titillates my father, who confesses along the way to alcoholism, habitual premature ejaculation, voyeurism, and unassuageable jealousy of his illustrious father, whose death in 1949 aroused only “a cold pride†(unlike the wrench I know he felt when his wife and his mother died in the late 1960s). The sketch resolves with his dead father’s body intoning Hamlet’s lines about what a piece of work is man, ending with “A paragon of animals,†which the feline observer coolly concludes must surely refer to cats.            That phone call was my last conversation with my father. A month before he had, quixotically, married a woman he’d known for two decades, on his part decidedly nonexclusively, a few days after she got a diagnosis of inoperable lung cancer. Now, in deference to her fear of flying, they took off on a tiring train and car trip from San Francisco to a convention in London, Ontario, where my exhausted father began his slide into incontinence, depression, and dementia..