Abstract

In June 2009, the Chinese mediasphere was abuzz with the announcement that the octogenarian writer Jin Yong (Louis Cha) was slated to join the Chinese Writers' Association (Zhongguo zuojia xiehui, CWA). Jin Yong is a beloved martial arts fiction writer who made his career in the freewheeling ex-British colony of Hong Kong in the 1950s and 1960s.1 His joining the association known for its stodgy conformism struck many as ironic, or at least as blog-worthy. Indeed, just a few years ago, the playwright Sha Yexin had quipped: “How can you ask a writer like Louis Cha to write martial arts…