The Canonization of Canadian Literature: An Inquiry into Value

Critical Inquiry 16 (3):656-671 (1990)
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Abstract

It is startling to realize that Canadian literature was canonized in fewer than twenty years. Here is how it happened.At the end of World War II, Canadian literature was not taught as an independent subject in Canadian schools. There was no canon. In 1957, the publishing firm McClelland and Stewart introduced its mass-market paperback reprint series entitled the New Canadian Library. It allowed teachers to discuss the work of many Canadian authors who had never been the subject of formal academic study. This New Canadian Library was truly “new”: prior to its conception, there was no “library” in use. There were no Canadian classics. Northrop Frye recalls that at that time the notion of finding a classic Canadian writer remained but “a gleam in a paternal critic’s eye.”1Frye’s comment must be placed in context: he was remembering the efforts that produced the first Literary History of Canada in 1965. In T. D. MacLulich’s words, its publication “gave a definitive imprimatur of respectability to the academic study of Canadian writing.”2 It made a Canadian canon seem possible; to many, it made the canon seem real. With the advent of this history, the institution called Canadian literature was born.3 1. Northrop Frye, “Conclusion,” in Literary History of Canada: Canadian Literature in English, 2d ed., ed. Carl F. Klinck et al., 3 vols. , 3:319.2. T. D. MacLulich, “What Was Canadian Literature? Taking Stock of the Canlit Industry,” Essays on Canadian Writing 30 : 19; hereafter abbreviated “WWCL.”3. My use of the term “Canadian literature” applies to English-Canadian literature; the canonization of French-Canadian, or Québecois literature, invokes another story and another set of political imperatives that cannot be adequately treated within the scope of this discussion.4. John Guillory, “Canonical and Non-Canonical: A Critique of the Current Debate,” ELH 54 : 483. Robert Lecker is professor of English at McGill University. He is the author of several critical studies, including On the Line , Robert Kroetsch , and An Other I , and coeditor of Essays on Canadian Writing, the multi-volume Canadian Writers and Their Works , and the eight-volume Annotated Bibliography of Canada’s Major Authors . Lecker is currently preparing a collection of essays on the Canadian canon

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