Abstract

Since the Second World War, an increasing number of scholars have begun to focus on research related to trauma. This article attempts to demonstrate the long-standing history of studying trauma issues. Ankersmit’s theory of historical trauma innovatively approaches the topic from an aesthetic perspective, incorporating the concept of forgetting which has been overlooked by previous historians. This theory not only explains the origins of Western historical consciousness but also breaks through the previous simplistic linear attribution of trauma severity, providing a new direction for the study of trauma theory.